The film is framed because the recollections of Sergeant Galoup, a former French legionnaire stationed in Djibouti (he’s played with a mix of cruel reserve and vigorous physicality by the great Denis Lavant). Loosely based upon Herman Melville’s 1888 novella “Billy Budd,” the film makes brilliant use of the Benjamin Britten opera that was likewise impressed by Melville’s work, as excerpts from Britten’s opus take over a haunting, nightmarish quality as they’re played over the unsparing training exercises to which Galoup subjects his regiment: A dry swell of shirtless legionnaires standing during the desert with their arms during the air and their eyes closed just as if communing with a higher power, or frequently smashing their bodies against one another inside of a series of violent embraces.
Wisely realizing that, despite the hundreds of years between them, Jane Austen similarly held great respect for “women’s lives” and managed to craft stories about them that were foolish, frothy, funny, and very relatable.
Babbit delivers the best of both worlds with a real and touching romance that blossoms amidst her wildly entertaining satire. While Megan and Graham tend to be the central love story, the ensemble of attempt-hard nerds, queercore punks, and mama’s boys offers a little something for everyone.
“The top of Evangelion” was ultimately not the tip of “Evangelion” (not even close), but that’s only because it allowed the sequence and its creator to zoom out and out and out until they could each see themselves starting over. —DE
The timelessness of “Central Station,” a film that betrays none of the mawkishness that elevated so much of the ’90s middlebrow feel-good fare, could be owed to how deftly the script earns the bond that forms between its mismatched characters, And just how lovingly it tends towards the vulnerabilities they expose in each other. The convenience with which Dora rests her head on Josué’s lap in a poignant scene indicates that whatever twist of fate brought this pair together under such trying circumstances was looking out for them both.
The ‘90s included many different milestones for cinema, but Maybe none more essential or depressingly overdue than the first widely dispersed feature directed by a Black woman, which arrived in 1991 — almost 100 years after the advent of cinema itself.
“He exists now only in my memory,” Rose said of Jack before sharing her alyx star story with Invoice Paxton (RIP) and his crew; via the time she reached the end of it, the late Mr. Dawson would be remembered through the entire world. —DE
and they are thirsting to begin to see the legendary drag queen and actor in action, Divine gives one of many best performances of her life in this campy and colorful John Waters classic. You already love the musical remake, fall in love with the original.
Of each of the gin joints in each of the towns in the many world, he had to turn into swine. Still the most purely enjoyable movie that Hayao Miyazaki has ever made, “Porco Rosso” splits the primary difference between “Casablanca” and “Bojack Horseman” to tell the bittersweet story of the World War I fighter pilot who survived the dogfight that killed the remainder of his squadron, which is forced to spend the rest of his days with the head of a pig, hunting bounties over the sparkling blue waters from the Adriatic Sea while pining for that beautiful proprietor of your nearby hotel (who happens to be his dead wingman’s former wife).
Instead of acting like Advertisementèle’s knight in shining armor, Gabor blindfolds himself and throws razor-sharp daggers at her face. Over time, however, the trust these lost souls place in bangla blue film each other blossoms into the kind of ineffable bond that only the movies can make you believe in, as their act soon takes on an erotic quality that cuts much deeper than intercourse.
And nonetheless, for every little bit of progress Bobby and Kevin make, there’s a setback, resulting in the roller coaster of hope and disappointment. Charbonier and Powell place the boys’ abduction within porn photo a larger context that’s deeply depraved and disturbing, yet they find a suitable thematic balance that avoids any perception of exploitation.
had the confidence or the cocaine or whatever the hell it took to attempt something like this, because the bigger the movie gets, the more it seems like it couldn’t afford for being any smaller.
is a look into the lives of gay men in 1960's New York. Featuring a cast of all openly gay actors, this is a must see for anyone interested in gay history.
” Meanwhile, pint-sized Natalie Portman sells us on her homicidal Lolita by playing Mathilda being a girl who’s so precocious brazzers video that she belittles her very own grief. Danny Aiello is deeply endearing given yespornplease that the outdated school mafioso who looks after Léon, and Gary Oldman’s performance as drug-addicted DEA agent Norman Stansfield is so significant that you are able to actually see it from space. Who’s great in this movie? EEVVVVERRRRYYYOOOOONEEEEE!